Friday, December 10, 2010

Movies!

King Corn (2007)
King Corn is a feature documentary about two friends, one acre of corn, and the subsidized crop that drives our fast-food nation. In King Corn, Ian Cheney and Curt Ellis, best friends from college on the east coast, move to the heartland to learn where their food comes from. With the help of friendly neighbors, genetically modified seeds, and powerful herbicides, they plant and grow a bumper crop of America's most-productive, most-subsidized grain on one acre of Iowa soil. But when they try to follow their pile of corn into the food system, what they find raises troubling questions about how we eat-and how we farm.



Corn (2004)
Emily returns to her family's sheep farm in rural Pennsylvania after an affair with the politician who has fathered her baby. Doubted by the community she has returned to, she questions her own sanity as she tries to discover what is happening. Her journey takes her on a trip down the food chain, as she tracks a potentially life-threatening byproduct from the cornfield to the supermarket. Ultimately she has to confront psychological demons that haunt her as she grows into motherhood, and comes to terms with her own biology.



Children of the Corn (1984)
A young couple wander into a mid-western town where all the adults are apparently dead and the children participate in a cult that worships a malevolent force in the corn fields. Based on a Stephen King novella.



Food, Inc. (2008)
An unflattering look inside America's corporate controlled food industry.


Fast Food Nation (2006)
An ensemble piece examining the health risks involved in the fast food industry and its environmental and social consequences as well.

Thursday, December 9, 2010

Booklist

The Omnivore's Dilemma: A Natural History of Four Meals
by Michael Pollan
"The omnivore’s dilemma has returned with a vengeance, as the cornucopia of the modern American supermarket and fast-food outlet confronts us with a bewildering and treacherous food landscape. What’s at stake in our eating choices is not only our own and our children’s health, but the health of the environment that sustains life on earth."
This book looks at people as omnivores and as such provided with way too many dietary choices. A section of the book is dedicated to corn's role in the current fast food industry and exactly how many items in the average supermarket are made from corn.

Fast Food Nation: The Dark Side of the All-American Meal
by Eric Schlosser
Examines the influence of America's Fast Food industry.
Stuffed Nation blog

Hopi Kachina Dolls with a Key to Their Identification
by Harold Colton
Information and pictures of the various Kachina dolls in the Hopi religion.

The Fourth World of the Hopis: The Epic Story of the Hopi Indians as Preserved in Their Legends and Traditions.
by Harold Courlander
Pretty much what the title says.

Corn Headlines

These headlines found on the Internet, feature contemporary issues concerning the use of corn and corn byproducts in present-day society. Corn is currently used in everything from biofuel to plastics to livestock feed, raising the price of corn and putting strain on the economy.

The Long-Term Stranglehold by Corn Ethanol on U.S. Biofuel Policy Continues
EPA Revises Ethanol Blend Wall

    With the EPA’s announcement that light fleet automobiles produced after 2006 are safe to use ethanol blends up to 15% (E15) without engine modification, the industry achieved a significant goal with the increase of the “blend wall.” 
     Assuming that in late November 2010, the EPA also approves automobiles from 2001-2006 to use E15 blends, approximately 60% of the light fleet passenger models will be consider safe for E15. This change would expand ethanol’s addressable blend market from approximately 13.7 to 17.8 billion gallons. Link

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Thursday, Dec 20, 2007 06:38 ET
The Fuel on the Hill


President Bush signed a new energy bill Wednesday, betting the farm that corn ethanol is the best alternative fuel for the future. It isn't.
Link

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In Worries About Sweeteners, Think of All Sugars
Are you worried about high-fructose corn syrup in your diet?
Link
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In the Fields of Italy, a Conflict Over Corn
Published: August 23, 2010VIVARO, Italy — Giorgio Fidenato declared war on the Italian government and environmental groups in April with a news conference and a YouTube video, which showed him poking six genetically modified corn seeds into Italian soil.
In fact, said Mr. Fidenato, 49, an agronomist, he planted two fields of genetically modified corn. But since “corn looks like corn,” as he put it, it took his opponents weeks to find his crop.
Link

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New Uses for Corn & Ethanol
ELISABETH ROSENTHAL
Corn-based industrial products are the single largest potential growth market for corn growers. Ethanol currently utilizes 4.2 billion bushels of corn, but as yields continue to increase and ethanol levels reach the blend-wall, additional markets will be needed. There is great potential to use corn-based materials to meet needs in many other large markets such as plastics, solvents, packaging and other consumer goods, which are currently petroleum-based.
Link

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Blue Tortillas May Help Dieters And Diabetics
ScienceDaily (Aug. 1, 2007) — People with dieting blues should try swapping white corn tortillas for blue. A recent study suggests that the colored flatbreads are healthier, especially for diabetics and dieters, Sara Jensen reports in Chemistry & Industry, the magazine of the SCI.
Link

If you answered yes, you’re not alone. Today, about 55 percent of Americans list the infamous corn sweetener among their food-safety worries, right behind mad cow disease and mercury in seafood, according to the consumer research firm NPD Group.

Corn Palace



    The Corn Palace serves as a multi-use center for the community and region. The facility hosts stage shows, as well as sports events in its arena. The World's Only Corn Palace is an outstanding structure which stands as a tribute to the agricultural heritage of South Dakota.

    The exterior decorations are completely made of corn, which is stripped down and new murals are created each year. The theme is selected by the Corn Palace Festival Committee and murals are designed by a local artist. 


Children of the Corn (1984) Trailer

Wednesday, December 8, 2010

New Uses for Corn


Samsung Reclaim “Corn Phone” Case
cardboard and ink
released in 2009
40% of the Reclaim casing was built using bio-plastic
materials extracted from corn.
 In 2008 Sprint established a clear environmenta
l vision by publishing a set of long-term environmental goals.




Corn in American Folk Art

 


Children Chalkware Wall Plaques
chalkware and paint
Miller Studio Inc.
1955



Corn Husk Dolls
corn husk and ribbon
circa 1981

Corn Husk Dolls


Seneca legend of the corn husk doll retold by Mrs. Snow, a Seneca craftswoman, in 1981:“Many, many years ago, the corn, one of the Three Sisters, wanted to make something different.

She made the moccasin and the salt boxes, the mats, and the face. She wanted to do something different so the Great Spirit gave her permission.
So she made the little people out of corn husk and they were to roam the earth so that they would bring brotherhood and contentment to the Iroquois tribe.

But she made one that was very, very beautiful. This beautiful corn person, you might call her, went into the woods and saw herself in a pool. She saw how beautiful she was and she became very vain and naughty.

That began to make the people very unhappy and so the Great Spirit decided that wasn't what she was to do.

She didn't pay attention to his warning, so the last time the messenger came and told her that she was going to have her punishment.

Her punishment would be that she'd have no face, she would not converse with the Senecas or the birds or the animals. She'd roam the earth forever, looking for something to do to gain her face back again. So that's why we don't put any faces on the husk dolls.”


Contemporary Objects


       Corn has played a significant role in contemporary American society in the same way it had an integral role in Native American culture. After being introduced to the plant by Native Americans, Europeans became dependent on corn. That dependency became stronger over time, turning into a source of pride in the American Midwest. Corn became so prevalent that it developed into a popular image in folk art and advertisements. Agricultural technology advanced, allowing farmers to grow increasingly heartier crops and larger harvests. Once established, corn became a staple part of the diet and was integrated into more products. Introduced into several types of foods, corn by-products are now used to make plastics, fabric, medicine and fuel. Since corn is inexpensive it is being used to the exclusion of all else, even to the detriment of the health of our planet and its inhabitants. Ironically the entire corn plant is now used in many of the items being produced but lacking the respect it was afforded by the Native American cultures.
 
 
 
 
 
  
 
 

Native American Mythology

First grown in Mexico about 5,000 years ago, corn soon became the most important food crop in Central and North America. Throughout the region, Native Americans, Maya, Aztecs, and other Indians worshiped corn gods and developed a variety of myths about the origin, planting, growing, and harvesting of corn (also known as maize.)

Corn Gods and Goddesses. The majority of corn deities are female and associated with fertility. They include the Cherokee goddess Selu; Yellow Woman and the Corn Mother goddess Iyatiku of the Keresan people of the American Southwest; and Chicomecoatl, the goddess of maize who was worshiped by the Aztecs of Mexico. The Maya believed that humans had been fashioned out of corn, and they based their calendar on the planting of the cornfield. 

Male corn gods do appear in some legends. The Aztecs had a male counterpart to Chicomecoatl, called Centeotl, to whom they offered their blood each year, as well as some minor corn gods known as the Centzon Totochtin, or "the 400 rabbits." The Seminole figure Fas-ta-chee, a dwarf whose hair and body were made of corn, was another male corn god. He carried a bag of corn and taught the Seminoles how to grow, grind, and store corn for food. The Hurons of northeastern North America worshiped Iouskeha, who made corn, gave fire to the Hurons, and brought good weather. 

The Zuni people of the southwestern United States have a myth about eight corn maidens. The young women are invisible, but their beautiful dancing movements can be seen when they dance with the growing corn as it waves in the wind. One day the young god Paiyatemu fell in love with the maidens, and they fled from him. While they were gone, a terrible famine spread across the land. Paiyatemu begged the maidens to turn back, and they returned to the Zuni and resumed their dance. As a result, the corn started to grow again.

Origins of Corn. A large number of Indian myths deal with the origin of corn and how it came to be grown by humans. Many of the tales center on a "Corn Mother" or other female figure who introduces corn to the people. 

In one myth, told by the Creeks and other tribes of the southeastern United States, the Corn Woman is an old woman living with a family that does not know who she is. Every day she feeds the family corn dishes, but the members of the family cannot figure out where she gets the food. 

One day, wanting to discover where the old woman gets the corn, the sons spy on her. Depending on the version of the story, the corn is either scabs or sores that she rubs off her body, washings from her feet, nail clippings, or even her feces. In all versions, the origin of the corn is disgusting, and once the family members know its origin, they refuse to eat it.

The Corn Woman solves the problem in one of several ways. In one version, she tells the sons to clear a large piece of ground, kill her, and drag her body around the clearing seven times. However, the sons clear only seven small spaces, cut off her head, and drag it around the seven spots. Wherever her blood fell, corn grew. According to the story, this is why corn only grows in some places and not all over the world. 

In another account, the Corn Woman tells the boys to build a corn crib and lock her inside it for four days. At the end of that time, they open the crib and find it filled with corn. The Corn Woman then shows them how to use the corn. 

Other stories of the origin of corn involve goddesses who choose men to teach the uses of corn and to spread the knowledge to their people. The Seneca Indians of the Northeast tell of a beautiful woman who lived on a cliff and sang to the village below. Her song told an old man to climb to the top and be her husband. At first, he refused because the climb was so steep, but the villagers persuaded him to go. 

When the old man reached the top, the woman asked him to make love to her. She also taught him how to care for a young plant that would grow on the spot where they made love. The old man fainted as he embraced the woman, and when he awoke, the woman was gone. Five days later, he returned to the spot to find a corn plant. He husked the corn and gave some grains to each member of the tribe. The Seneca then shared their knowledge with other tribes, spreading corn around the world. 

Green Corn Dance 
Native Americans of the Southeast hold a Green Corn Dance to celebrate the New Year. This important ceremony, thanking the spirits for the harvest, takes place in July or August. None of the new corn can be eaten before the ceremony, which involves rituals of purification and forgiveness and a variety of dances. Finally, the new corn can be offered to a ceremonial fire, and a great feast follows. 

Mayan stories give the ant—or some other small creature—credit for the discovery of corn. The ant hid the corn away in a hole in a mountain, but eventually the other animals found out about the corn and arranged for a bolt of lightning to split open the mountain so that they could have some corn too. The fox, coyote, parrot, and crow gave corn to the gods, who used it to create the first people. Although the gods' earlier attempts to create human beings out of

This painting by George Caltin shows the Hidatsa people of the North American Plains celebrating the corn harvest with the Green Corn Dance. The ceremony, held in the middle of the summer, marks the beginning of the New Year. 

Where mud or wood had failed, the corn people were perfect. However, the gods decided that their new creations were able to see too clearly, so they clouded the people's sight to prevent them from competing with their makers. 

The Lakota Plains Indians say that a white she-buffalo brought their first corn. A beautiful woman appeared on the plain one day. When hunters approached her, she told them to prepare to welcome her. They built a lodge for the woman and waited for her to reappear. When she came, she gave four drops of her milk and told them to plant them, explaining that they would grow into corn. The woman then changed into a buffalo and disappeared. 


Corn Mother. According to the Penobscot Indians, the Corn Mother was also the first mother of the people. Their creation myth says that after people began to fill the earth, they became so good at hunting that they killed most of the animals. The first mother of all the people cried because she had nothing to feed her children. When her husband asked what he could do, she told him to kill her and have her sons drag her body by its silky hair until her flesh was scraped from her bones. After burying her bones, they should return in seven months, when there would be food for the people. When the sons returned, they found corn plants with tassels like silken hair. Their mother's flesh had become the tender fruit of the corn. 

Another Corn Mother goddess is Iyatiku, who appears in legends of the Keresan people, a Pueblo * group of the American Southwest. In the Keresan emergence story, Iyatiku leads human beings on a journey from underground up to the earth's surface. To provide food for them, she plants bits of her heart in fields to the north, west, south, and east. Later the pieces of Iyatiku's heart grow into fields of corn. 

http://www.mythencyclopedia.com/Ca-Cr/Corn.html

Corn Mother Mythology


Corn Mother


Since maze is a substantial food among the Native Americans it would certainly be included within their mythology. One legend concerns an old lady and an orphan boy. The old lady lived alone and walked her beaten paths everyday. On day she found a spot of blood on one of the paths. She covered it with a jar, which she later removed and discovered a little baby boy under it. When the boy grew older he called her Grandmother.

When he became seven he made his first bow and arrows, and was very curious and full of questions. Almost everything he saw, he would ask his Grandmother what it was. So when he saw a bushy tailed animal run up a tree, he asked Grandmother, "What is that?" "It's a squirrel," she told him. "Shoot it; bring it home, it's good to eat." So he did. Next he asked her what it was that flew from tree to tree. She answered, "It's a bird and good to eat. Shoot it and bring it home." Next the boy spied an animal with no tail and round ears. Grandmother said that was a bear, and added it was good to eat; so he shot it and brought it home. By this way he learned the names of all the animals and which were valuable as food.

Now he could hunt everywhere, but the Grandmother told him to never go pass a distant blue mountain on the horizon. He hunted all sorts of things, but never discovered from which creature his Grandmother made the sofky maize and the blue dumplings of maize and beans. He was unaware of plants. Then one day he decided to peek through the door as she prepared food. He saw her remove her dress and straddle a corn sieve. As she scratched one of her thighs, a stream of maize poured down. When she scratched her other thigh, a stream of beans descended. Afterwards, when coming in, he would not eat. His Grandmother guessed that he had found out her secret. Then she said since he had discovered her mystery he had to leave her and go beyond the blue mountain. To protect him, she made him a magical headdress of intertwined rattlesnakes and blue jays that sang as he put it on.

Then Grandmother told him that he was ready to start his journey. He was to marry the first girl he met, and then returned. She instructed further that when he left he was to close the door and set fire to the house, with Grandmother inside, so nothing would remain but ashes. He sat the fire, and everything was consumed just as Grandmother had decreed. 

When the orphan boy returned with his wife to the place where Grandmother had been burnt, they found the grounded with a find crop of maize plants and beans. Every maize plant was wearing a skirt of earth around its base, which is which Indian people subsequently made little skirts of earth for their maize seeds to sprout through. They believe the maize is truly Grandmother.

In the Penobscot version, First Mother, Corn Mother, when the first people began multiplying on the earth and came to her because they where hungry the First Mother became very sad. Her husband became sad too and asked her what he could do to make her stop weeping. She told him, "You have to kill me." He was thunderstruck and refused, instead sought the advice of the All Maker in the north.

The old All Maker told him that he must do as his wife, the First Mother, said. The husband, now weeping himself, returned home. So the First Mother told him that when the sun was highest in the sky, he was to kill her, and then have two of her sons drag her body over the empty parts of the earth, pulling her back and forth by her silky hair until her flesh had been scraped from her body. Then they were to leave, waiting until seven moons had come and gone before they returned. At that time they would find her flesh, lovingly given, and it would feed the people and make them strong for all time.

These sad instructions were carried out, and after seven moons had come and gone, her children and their children returned to find the earth covered with green plants with silken tassels, and fruit-their mother's flesh-was sweet and tender. As instructed, they saved some of their find to be place back into the earth at a later time. In this way the First Mother's flesh and her spirit are renewed every seven moons and continually sustain the flesh and spirit of her children.

Whenever her children eat corn they remember their mother, and in this way she lives, her love constantly renewing itself from generation to generation.

The Cherokee legend of the Selu, Corn Mother, involves the lucky hunter Kanati. Each time Kanati went hunting in the woods he brought back an ample load of game for his wife Selu, whose name means corn, and their little boy. Selu would was the meat by the riverside; and gradually some of the blood rose up and became another little boy whom they named He Who Grew Up Wild.

The two boys became curious about how Kanati always came home with such fat bucks, does, and turkeys. So one day they secretly followed him to the western mountains where they saw him pull a big slab of rock back from the mouth of a cave. Out came a deer which they saw Kanati shoot with an arrow.

Several days later the boys snuck off to the cave. Once there the removed the slab of rock, a deer game out, but they were not quick enough to shoot it. In their bewilderment they forgot to replace the rock over the cave entrance, so all the animals escaped. To this day, all of the animals are scattered throughout the forest, and hunting is much harder.

They boys went hungry for they had no meat. They spied on their mother, seeing her make corn and beans. She did this by rubbing her stomach and armpits. The boy's were disgusted by what they saw and refused to eat the food when the mother offered it to them. They began to be afraid she was a witch, and planned to kill her.

Knowing what they were thinking, their mother agreed, telling them to kill her, bury her body, and keep watch over it that night. They did as she said, and the next morning the corn had grown up ready to be harvested.
The news of this spread to the people, and they came from everywhere asking for corn. The boys gave them some, but warned them to keep watch each night of the seven days it would take them to journey home. On the seventh night, though the people tried to stay awake, the people fell asleep. For this reason corn doesn't grow as fast anymore, and farming became hard work.

Mother Corn or Grandmother Corn is definitely a symbolism of a Mother Goddess. She is the one who gives her life to provide for her children. She is the corn or maize which dies and returns to the earth, her body, to be replenished or renewed again. The disgust described in the legends when the children first find out the Mother's secret of producing corn may reflect the embarrassment most children feel when finding out about sex, but have done so and becoming adults they help the Mother to continue to fertilize the Earth. She not only provides nourishment for her children, she gives birth to the children too as symbolized each of the boys, Orphan Boy and He Who Grew Up Wild, that came from a spot of blood on the earth. 

Burland, Cottie. North American Indian Mythology. Middlesex, England. Hamlyn Publishing Group. 1968. pp. 111-112

Leeming, David, Jake Page. The Mythology of Native North America. Norman. University of Oklahoma Press. 1998. pp. 64-66

Native American objects


Jar clay and pigment
Pueblo, Southwestern USA
6” x 7”
19th – 20th Century





Jar clay and pigment
Pueblo, Southwestern USA
6” x 7”
19th – 20th Century
 

















Corn husk bag
corn husks with geometric designs
Nez Perce, USA
19” x 14”

Flat bags are unique to the Columbia Plateau area.
 Nez Perce weaving was sought after trade items.
 In later years, these bags were fashioned
with brightly colored false embroidery
 of cornhusk, wool or acrylic yarn.





























Hopi Wedding Sash
unbleached cotton & corn husk
Hopi, Southwestern USA
96” x 4.75”
early 20th Century
The tassels of the Hopi wedding sash,
 also known as a Hopi rain sash, represent
 rain and the corn harvest.





























Metate and Pestle
Stone
culture unknown
18” x 12” x 5”
prehistoric
 This prehistoric grinding stone was
a common tool in Native American cultures
 used to grind corn.





Double-ended pestle
wood
Iroquois: Seneca, northeastern USA
45.5” x 3.75”
Early 20th Century
 

Hopi and Zuni Katsina Figurines
























The Hopi believe that every element of nature has a spirit and a personality which manifest in certain ways. These representations of nature are called Katsinas (kachinas.) They can represent anything from the sun, to thunderstorms and also plants and animals. The Corn Mother, very similar to the Earth Mother, was thought to have created the Katsinas.

Katsinas are meant to be mediators between the Hopi people and the Creator, bringing them blessings and messages. They are believed to be very powerful and are welcomed into the villages with dancing and festivals. The katsinas in the images above represent two different elements of corn. The katsina on the bottom, Hemis, represents the germinating spirit of corn, while the one on the top, Kokoshori, blesses the harvest.

Corn in Native American Life

 
          Corn, also called Maize, was developed from a wild grass called Teosinte 7,000 years ago. Over a period of thousands of years, Native Americans purposefully transformed corn through special cultivation techniques. The ancestral kernels of Teosinte looked very different from today’s corn. Those kernels were small and were not fused together like the kernels on the husked ear of early maize and modern corn. By selection and cultivation, Native Americans encouraged the formation of ears (cobs) on early maize. The first ears of maize were only a few inches long and only eight rows of kernels. Cob length and size of early maize grew over the next several thousand years which gradually increased the yields of each crop.

         This cultivation of corn led to changes in the life style of many Native American tribes. Corn grew to have a very important role, not only as a source of food, but in their religious beliefs as well. In the Hopi mythology the Sun’s rays are made out of corn silk. Corn meal is rubbed onto the hands and face of their deceased in order to make them look more like clouds and to prepare them for the afterlife. Corn became an all-nourishing, sacred food, the subject of legends and the theme of several rituals. The Iroquois celebrate Green Corn Festival each year during August and September. Corn was used for more than just food. Corn husks were woven into mats, baskets, and moccasins and made into corn husk dolls, Cobs were used as scrubbers and container stoppers. Corn was an integral part of Native American life and they used every part of it.
 
 

Comparison



Representation of the Three Sisters:
Corn, Squash & Beans
Corn Husks, Assorted Squash, Dry Pinto & Red Kidney Beans

In the Iroquois tribe women were responsible for the gardens. The three main crops planted were corn, beans & squash, also known as the Three Sisters. Eaten together, these three foods provided a well-balanced diet.
The three sisters are considered divine gifts. Different kinds of beans, corn and squash grew together in mounds, placed about three feet apart. Cornstalks provided supports for climbing bean vines. Squash leaves provided shade, keeping the soil moist and preventing weeds from choking the crops.




Grocery Items
Corn has been incorporated into most of the items found in a supermarket in the present day. Displayed here are a few of the obvious, and maybe not so obvious, items that contain corn products or corn by-products. The most prevalent incarnation of corn in these foods is in the form of high fructose corn syrup as well as corn starch. Corn syrup is used as an inexpensive substitute for sugar.

CORN:unshucked



         Corn has been regarded in many different ways throughout American history; it has been, and continues to be, viewed as a sacred object, a symbol of Americana, as well as a commodity. Utilizing objects from Seton Hall University’s Native American Collection, the exhibit begins with the role of corn in Native American societies of the Pueblo Hopi of Arizona and the Iroquois of New York. These tribes consider corn sacred and use every part of the plant in their daily lives. The exhibit explores how the perception of corn has transformed from sacred to symbol of Americana to the treatment of corn in contemporary society. Presently corn is something that is found in nearly everything we use and eat, becoming a highly commodified, government funded monocrop responsible for environmental and cultural change.

          The concept of Corn: Unshucked was conceived prior to a workshop and lecture funded by the Institute of Museum Ethics at Seton Hall University titled “The Silent Message of the Museum” with guest presenter Fred Wilson, an internationally known artist and curator. Wilson’s projects expose the one-directional view typical of traditional museum practice and reminds us that there are many different perspectives and viewpoints other that those contained in traditional museum wall text. Following in Wilson’s footsteps, Corn: Unshucked investigates the symbolic value of corn as well as its role in contemporary society by displaying American ephemera alongside objects from traditional Native American cultures. This juxtaposition will illustrate America’s cultural dependence on corn and examine the wisdom of that reliance, while highlighting the fundamental differences in the way cultures perceive and make use of corn.